Marcel Broodthaers at Marian Goodman Gallery and Michael Werner Gallery, New York
Media Farzin reads Broodthaers’s “Section Cinéma” at Marian Goodman as “neither a re-creation nor a rehearsal: it is a work made for a gallery setting as a perpetual representation of itself.”
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29th São Paolo Biennial
Octavio Zaya makes a very distinct verdict on the 29th São Paolo Biennial, and certainly not without controversy…
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art forum berlin & abc art berlin contemporary: “light camera action”
From Berlin, Kirsty Bell reports—with the fog of gallery politics having hardly blown over—on the art forum and its more contemporary alternative abc.
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George Maciunas: “Mr. Fluxus” at Stendhal Gallery and “Out of the Box” at the Emily Harvey Foundation, New York
Colby Chamberlain probes the “madcap heterogeneity” of George Maciunas at the Stendhal Gallery and his legacy the Emily Harvey Foundation.
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Rob Pruitt: “Pattern and Degradation” at Gavin Brown’s enterprise and Maccarone, New York
What do Amish adolescence, Hitlercats.com, Warholian self-portraits, Mickey Mouse ears, and Jeffrey Deitch have in common? Paddy Johnson takes a whack at Rob Pruitt’s latest.
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RECENTLY ON AGENDA
Kirsty Bell on Rashid Johnson’s “There are Stranger Villages” at Guido W. Baudach, Berlin
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Tyler Coburn on “Dennis Hopper Double Standard, ” MOCA, Los Angeles
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Adam Kleinman on Charlotte Posenenske at Artists Space, New York
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Andrew Berardini on Kori Newkirk at Country Club, Los Angeles
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Michèle Faguet on Temporäre Kunsthalle Berlin
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